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March Issue
Article 2

 

 

The Compass - March 2008

A Breath of Dead Air
Written and Photographed by Lusine Stepanian

“Would anyone like to stop by the Ossuary?” asked our tour leader with an uncertain voice. One brave lady and I raised hands with excitement. This was the moment I was waiting for! The rest of our passive group sank into the softness of their seats, giving us a disgusted stare with little whispers of, “Oh no, my goodness, No”.

Our tour leader seemed rather disappointed herself, “Just the two of you?” she said, “Then maybe we should skip it.” Skip it? I was becoming nervous in my little seat. “No, this is the reason we took this tour”, both of us screamed back in a synchronised manner. I could not let a chance such this pass me just because the rest of the bus was not curious about the Ossuary. I always travel with the belief that if it’s there, it must be seen.

And so, we head to the Bone House. True, it is not the most popular attraction of Czech Republic, giving shivers to even the most naïve of tourists; still, I wanted to see all that the country had to offer, and the Ossuary was on top of my list.

The Sedlec Ossuary, located in a little town of Kunta Hora on the outskirts of Prague, is a small Roman Catholic chapel. It contains approximately 40 000-70 000 human skeletons in forms of decorations and furnishings. During the Black Plague of the 14th century, one of the most deadly pandemics in human history, Europe carried as many as 50 million deaths. It is estimated to have killed about 50 percent of Europe's population. Thousands of people were buried at the Sedlec cemetery and eventually it had to be greatly enlarged. During the enlargement construction in the 1400 many skeletons needed to be exhumed. According to legend, this task was given to a half-blind monk; he had to disinter all the skeletons and stack them in the chapel.
The designs that are present today in the Ossuary are the works of a woodcarver, František Rint, who in 1870 was hired to put the bone heaps into order. Since then, the Ossuary has become a rare, yet memorable tourist attraction, and has also been used as a set location for the film ‘Dungeons & Dragons’.
I enter.

A set of stairs leads into the underground. Human bones are in abundance here, they are everywhere. They have taken shape of candle holders, wall décor, a fireplace, and even as a chandelier- designed using all 206 adult human bones. One can come here to study anatomy, archaeology or simply to be indulged into a rather disturbing atmosphere of human bones and dead air.

Standing in front of two skulls, I observe them curiously. Having acquired basic knowledge of archaeology I realize one of them is female. Males differ from females in numerous ways; male skulls tend to be larger and more robust. An easier way to detect a male is through the brow ridge. Located above the eyes, this bone structure is more prominent in men than women. Gazing at them I question myself. Who were they? How old? Are they siblings, or maybe a married couple? Skeletal systems, including skulls, can give clues about the lifestyle of a person, their diet, and even the climate they lived in. However, that requires a thorough understanding and analysis of all skeletal bones at the time of their discovery. I picture their lives as shiver rushes through my spine and I sigh with sadness.

“It’s time to go,” calls out the tour guide impatiently. I snap a few more photos and rush up the stairs. As I exit this underground darkness the sun rays create squints in my eyes.

What a beautiful day! I feel alive again, I breathe fresh air again. I force myself to erase those cold images of human bones surrounding me. Was I really there, hypnotized by the past, the pandemics and the dead air? It was surely an experience I won’t forget, a place which to this day I need to think twice about before suggesting it to others.

*If at all, after reading this article, you have developed a slight side effect of curiosity about the Ossuary, then do check their official website www.kostnice.cz.


  Lusine Stepanian is The Compass Editor. Aside from travel writing she is inspired by Latin dancing with her second performance on its way. She is also improving her Spanish skills in order to fully enjoy her upcoming journey through South America.  

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