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May Issue
Article 2

 

 

The Compass - May 2008

Doorway to Zanzibar
Written and Photographed by Ashley Bedard

Zanzibar. The name alone sounds fanciful as it rolls off my tongue. Many of my fellow Torontonians may know Zanzibar only to be a strip club on Yonge Street, but I assure you it is also a group of tropical islands off the coast of Tanzania. Before planning my trip to East Africa, I admit that the Yonge Street club may have been the first thing to come to mind upon hearing the name. But, I’m fairly certain that the dancers there cannot offer the same degree of exoticism as this Indian Ocean archipelago. Approaching the main island in the tiny Antonov propeller plane, I was excited to see if Zanzibar would live up to the pronouncement of my travel-mate boyfriend when he said “This will be the most exotic place you’ve ever been to.”

Our first two nights were booked at the Pongwe Beach Hotel, on the east side of the island. We chose it over the more populous beaches on the north coast, drawn by the promise of a secluded “paradise”. They weren’t kidding. There are no other hotels near Pongwe Beach, only a tiny village a short distance away. The hotel consists of a collection of small beach houses, and we were lucky enough to be accommodated on the end of the property with our own deck, private stairs to the beach and an amazing view of the ocean. In our room was a traditional wooden Zanzibar bed, with a canopy of mosquito netting draped over the ornately carved and tiled headboard and posts. Who knew mosquito netting could be so romantic?

It is almost impossible to describe how stunningly beautiful and special this place is. I spent hours in and around the infinity pool, captivated by the view of the brilliant green Indian Ocean beyond the curve of white beach. The word that most often came to my mind was “away”. Never have I felt so far away from regular life, with not a care in the world beyond avoiding sea urchins while exploring at low tide.

Arriving in Stone Town after the peace of the opposite coast was quite a contrast. The old section of Zanzibar City has been designated a World Heritage Site by UNESCO for its cultural harmonization, architecture and history of slavery. Stone Town is a lived-in, smelly and somewhat dilapidated museum of a city. It’s fabulous. The town is a maze of narrow streets; so narrow that cars generally cannot fit, leaving pedestrians and the occasional scooter to navigate them. I never did see a street sign. Lining the alley-like streets were many unnamed shops, the keepers lounging outside and doing their best to lure us in to haggle for their wooden masks, jewelry and objects of art. It is customary, and expected, to haggle in most of the shops, otherwise you will likely spend $25 for something you could have gotten for $7. Watching my well-traveled boyfriend work his magic with the shop men taught me to buy things in multiples for the best deal. Attempting to haggle myself taught me that women aren’t taken very seriously as hagglers.

Also lining the streets of Stone Town is the real art of the island; the famous Zanzibar Doors. On some of the most basic, run-down buildings were huge doors of astounding intricacy. The heavy, double wooden doors are ornately carved and studded with brass knobs, many designs showing the Arab and Indian influences over the city. So much importance was placed on these doors that they were usually erected first, with the buildings then being built around them. I am a pretty tall girl, but beside them I felt a wee bit dwarfed.

In the further reaches of the old town, near the Anglican cathedral built over a former slave market, is the original home of Zanzibar’s main contribution to the musical arts; Farrokh Bulsara, who you will know as Freddie Mercury. I was amused that in my travel guide to East Africa, Tanzania was described as being the birthplace of Freddie Mercury and humankind, in that order. Being a huge fan, I’m embarrassed to admit that I forgot to go to his house. I blame this on the extreme heat and the overwhelming need to find cold beer. And so, my dream of singing a Bohemian Rhapsody tribute outside his house was replaced with drinks on the patio of Mercury’s, the modern bar named in his honour, overlooking the harbour and small, rickety boats with names like “Titanic” and “The Luvly Jubbly”.

There are numerous historic sites to see in Stone Town, but what I remember most are the things that were happening while we were there. It was the people in the streets, the smells - both good and bad, and the sounds of calls to prayer to the mosques that brought the city to life for me. Was this the most exotic place I’d ever been? Absolutely.

On my bedroom wall are three black and white photographs of Zanzibar doors, purchased in a tiny shop in Stone Town. In Toronto, on cold and dreary nights, those doors taunt me. I imagine walking through them, like through the wardrobe leading to Narnia, and emerging on the other side in hot, smelly, wonderful Zanzibar—away. I don’t think walking through the doors of the Yonge Street version of Zanzibar would have quite the same result.


  Ashley Bedard is a recent victim of the infectious travel bug, having been whisked to the other side of the world by a very mysterious man. Her background is in classical voice performance and opera and she is now employed as a communications professional in Toronto, writing and policing the language of others. She hopes to have many more adventures in far off lands in the future.  

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